New Musical Express : 17 December 1983
[...]
I wouldn't begrudge a group that long ago started metalbanging and
exploring atrocity (they relieved a sheep carcass of its head at the Electric
Ballroom last summer) their statutory right to cross-over into disco. But
nothing could obscure that the most atrocious thing about SPK now is their
emptiness. Sinan, the remotely beautiful vocalist is very photogenic but
as a preformer, a vacuum, a dead centre. SPK are in dire need of a Blixa
Bargeld, or a Nick Cave (or female equivalent).
Played out against a screen showing conspiciously 'arty' Cocteau films,
the whole act smacked of petulant nonchalance. I'd been warned that SPK
were playing under severe "constraints" (ie they weren't allowed to burn
their fires) but it became patently obvious that until they let rip (after
a pretty uninspired 'Metal Dance') with the spark-throwing circular saw
and the chain-swining, they couldn't get it up.
This last induced a frisson of excitement coupled with an involuntary
bristling of adrenalin and a rush from the front. Would you
want to get your scalp taken off for art's sake? No neither would I. As
the management prematurely closed the curtains.